Étude de cas

Case study

Dire Phi

This is Phi

PHI

PHI

Refonte de l’identité

Rebrand

Refonte de l’identité

Rebrand

2021

Art

Art

Tous

Identité

Branding

,

Typographie

Typography

,

Campagne

Campaign

,

Imprimé

Print

,

Bringing the art of tomorrow to audiences today, PHI is devoted to innovation and evolution in cultural experiences and guided by freedom, generosity, rigour, and the importance of community.

PHI is a multidisciplinary arts hub in Montreal founded and directed by Phoebe Greenberg. Since 2019, PHI has branched out from its original two entities—PHI Centre and the PHI Foundation for Contemporary Art (formerly DHC Art)—with initiatives like PHI Studio, which focuses on installations and immersive experiences. The new brand identity celebrates the distinct missions of each entity while bringing them together under one umbrella. In short, a brand that says, “This—all this—is PHI.”

Details

PHI – Rebrand

Branding
Strategy, visual identity, brand voice

Typography
Custom type design

Campaign
Communication strategy, artistic direction, campaign conception, social media, motion design

Digital
Social media templates

Print
Stationary, brochures and flyers, print production, workflow optimisation

Contenus
Branded content, photography

Signage
Design system

This is not a logo

The disarmingly simple PHI logo system is based on a bespoke typeface family. At once bold and understated, the sans serif typeface places the brand squarely in the future while making a nod to the past. Alternate characters and symbols distinguish each PHI entity while situating them within the coherent whole of the parent brand. The construction of logos on a shared foundation and the consistent logic governing their use builds parent brand recognition while emphasizing the individuality of its component identities.

This is more than a logo

Specifically designed for PHI’s brand image, Phi and Phi Caption are a family of two typefaces in ten styles. These typefaces are the main building blocks of the PHI visual identity. Resolutely contemporary, the typeface conveys the PHI brand’s confident, accessible, and visionary personality. The tall x-height reflects the typography’s grounded design, while the Phi Caption range ensures readability at smaller sizes. The cut junctions of the typeface’s diagonal strokes, along with other unique features of its design, confer a technical appearance. Several special characters and stylistic variants, earmarked for various entities of the brand, grant the family of characters a wide-ranging expressiveness.

1000

2

This grid is a poster

In its essence, the basic grid of PHI's graphic system recalls a poster, a vertical rectangle forming a strong typographic frame. The composition’s repetition ensures uniformity across applications, lending them a distinctive tone and visual rhythm. Recurrence and regular placement of the logotypes strengthens the visual coherences and ensures recognition.

500

12

1000

2

This is only the beginning

PHI's 2021–2022 programming was rich and varied, featuring exhibitions, concerts, travelling installations, symposia, artist residencies, free events, and more. Tasked with saying “This is PHI,” our campaign highlighted each entity’s uniqueness while uniting them under one umbrella.  It revolved around a series of photos of flags whipping in the wind, each with a different tint representing a different entity. The title, "The wind rises," signaled the beginning of a major shift, a movement visually rendered by the flags. They expressed the shared genealogy of PHI’s separate entitles while also setting them apart as outstanding sites of cultural production.

CREDITS

Agency

Strategy

Anouk Pennel, Raphaël Daudelin

Concept

Anouk Pennel, Léon Lo

Art direction

Anouk Pennel, Léon Lo

Type design

Anouk Pennel, Romain Grucker

Type development

Romain Grucker

Type publisher

Feedtype

Motion design

Michael Wasiak, Margot Lepage, Amélie Haeck

Photography

Vincent Castonguay, Alex Blouin

Client

Marketing and communications

Scarlett Martinez

Art direction

Pierre-Luc Gagnon, Michel Ouellette

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